After much deliberation, after pondering, both weak and weary, after tugging my beard like the retro-sage in a technical age that I fancy myself to be, after eating a couple of eggs boiled in spiced soy (oh, yeah, baby), I have come to the inescapable conclusion that ‘Uncle Fucka‘ is possibly the greatest song ever written.

A brief reminder of the powerful and affecting lyrics :

Terrance and Phillip
[Terrance:] Shut your f–king face uncle f–ka
You’re a cock sucking ass licking uncle f–ka
You’re an uncle f–ka, yes its true
Nobody f–ks uncles quite like you
[Phillip:] Shut your f–king face uncle f–ka
You’re the one that f–ked your uncle, uncle f–ka
You dont eat or sleep or mow the lawn,
You just f–k your uncle all day long
[farting noises]
[Terrance:] Hmm!
[farting noises]
[farting noises]
[Some Guy:] What’s going on here?
[farting noises]
[Man 1:] That’s garbage!
[Man 2: ]Well, what do you expect — they’re Canadian.
[People:] OOOoooooooooooooh
f–ker f–ker uncle f–ka uncle f–ka f–ka f–ka f–ka
[T & P:] Shut your f–king face uncle f–ka
[Terrance:] uncle f–ka
[Terrance:] You’re a boner biting bastard uncle f–ka
[Phillip:] You’re an uncle f–ka I must say
[Terrance:] Well you f–ked your uncle yesterday
[Everyone: (laughing)]
[People:] Uncle f–ka… thats
[Everyone:] U-N-C-L-E f–k you Uncle
[Phillip:] Suck my balls!

From the opening strains to the final testicular injunction, this piece of music speaks of humankind’s chthonic impetus to understand its place in the world, to rend the veils that separate us from a direct apprehension of the divine. Perhaps Terrance and Phillip are telling us that through the f–king of uncles, a sacred understanding may be achieved. William Blake, in The Marriage of Heaven and Hell, said :

In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich, ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.

The road of excess is the road upon which Terrance and Phillip gambol and fart prodigiously, boner-biting their way to the palace of wisdom. Uncle f–kers, yes indeed, they embrace all within the scope of their gaze, with both love and scorn. Their joyous farts and caustic abuse remind us of the Rabelaisian island of Ruach,

They neither exonerate, dung, piss, nor spit in that island; but, to make amends, they belch, fizzle, funk, and give tail-shots in abundance. They are troubled with all manner of distempers; and, indeed, all distempers are engendered and proceed from ventosities, as Hippocrates demonstrates, lib. De Flatibus. But the most epidemical among them is the wind-cholic. The remedies which they use are large clysters, whereby they void store of windiness. They all die of dropsies and tympanies, the men farting and the women fizzling; so that their soul takes her leave at the back-door.

and point with gleeful loathing thereby at our folly and failings. They f–ked their uncles yesterday, our hyperkinetic flatulent Canadian duo, reminding us of the gloomy conclusion of Ivan Karamazov: “If God is dead, all is permitted.”

Is there a god who would allow uncle-f–king? Is the god who would have prevented such things indeed dead, and is all, in fact, permitted? Terrance and Phillip have no answers for us, as they caper and cut the cheese, only questions, questions with which the great minds of our civilization have wrestled for centuries, fruitlessly.

In the end, perhaps, like Neitzche, they hail the dionysian, as the true source of art, and as deliberate affront to the illusory appollonian order imposed by our minds on a chaotic universe.

Either way, as Walter Kaufmann said of Neitzche, so can we say of Terrance and Phillip, our foul-mouthed flatulent flip-top-headed Canadian friends :

[Their] phrases, once heard, are never forgotten; they stand up by themselves, without requiring the support of any context; and so they have come to live independently of their sire’s intentions.

Suck my balls.

Musical Interludes, Thoughts That, If Not Deep, Are At Least Wide, Uncrappy

Join the conversation! 5 Comments

  1. This is perhaps the greatest analysis of popular culture I’ve ever read. I salute you, dear Chicken.
    What a way to wake in the morning (I’m linking to it in my journal, but I don’t have trackback…so I’ll be my own trackback device here). Thanks for opening my eyes!

  2. “Suck my balls” being a comment on the death of god and the origin of nihilism, if you hold with the validity of metaphysics.

  3. Oh, yeah : I guess this was my World Aids Day post. Link and Think, folks, link and think.

  4. I certainly agree that the song does have a message, and once the shock value of the words wears out a bit, the value becomes more apparent. Unfortunately, I think that the lion’s share of people will not get past the language to see the message. I wish I knew of a way to change the way people look at things sometime.
    This is my first time at your blog, but I will be back often. As soon as I can figure out how to add links, I will add yours to my blog. Please look at mine and see if it is something you might be interested in.

  5. This, dear professor, was an attempt at what is known in some circles as humour. *sighs, goes back to drawing board*
    Unless your comment was meant in an ironic vein, in which case : hoo-hoo! *slaps knee*
    Regardless, welcome.

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